Skip to main content

Irony in Susanna Clarke’s story “John Uskglass and the Cumbrian Charcoal Burner”



Irony plays a key role in Susanna Clarke’s story “John Uskglass and the Cumbrian Charcoal Burner” as it not only makes the actions happen in the story, it creates humor as well. Irony, in simple words, is a gap—a gap between expectation and the reality. In the story, this gap creates tension among characters, especially two major characters: the Charcoal Burner and the Raven King. However, this conflict is humorous one (though irony does not necessarily always create humor, it is a serious tool used by dramatists like Sophocles and Shakespeare).   

The most ironic part of the story is the ignorance of both the major characters about each other’s identity. For the Charcoal Burner, the Raven King is simply “a black man” (216) who changes his pig into a salmon.  He is angry with this man also because he does not speak with him.  The Charcoal Burner goes to the priest and makes a plea for giving punishment for his “wicked enemy” (217). These episodes are ironic and humorous because there is an incongruity between what he imagines the man to be and what he is. Readers, on the other hands, know the identity and the reality of each characters. It creates dramatic irony. This ironic atmosphere persists until the end of the story because the story ends with neither character knowing each other’s identity.  

Irony and humor contribute to fantasy consolation and eucatastrophe in the story because the Charcoal Burner gets compensated for his loss and damage by the Raven King because Uskglass ironically thinks that the man is not a common person but a person with magical power. The last paragraph mentions that he abstained from going for hunting to Cumbria until “he was sure that the Charcoal Burner was dead”.  It is doubly ironic: first of all, a King fearing a common person is ironic and second of all, he is still mistaken about the true identity of the Charcoal Burner. 

 Irony contributes in consolation because the ending becomes bitter sweet experience: sweet for the Charcoal Burner and slightly bitter for the Raven King.  Had the King known that the person he was thinking to have magical power was a common person and the magical power was being practiced by the priests from Heaven, the situation would have been different, and the story would have taken different turn.

Comments

Popular posts from this blog

Book Review: Wondering Who You Are by Sonya Lea

                                                                                   Memoir, one of the genres of literary writings, has been in practice for centuries. Memoirs present the personal and sometimes the most intimate moments of the writers. Sonya Lee’s W ondering Who You are , originally published in 2015 is one of such memoirs which presents the trauma that the writer experiences following the brain injury of her husband and perseverance she shows in overcoming that trauma. The memoir also presents, at times, in the most explicit and blatant words, the most intimate ...

A Reflection on an Indigenous Cultural Performance in Toronto, Canada

Collective in nature, cultural performances articulate the community’s unique heritage and tradition. Through these events, cultural identity is strengthened, preserved, and is also transferred to the next generation. They are also a platform for people, not only from the same community but from a different community as well, to have a face-face-interaction with each other. I recently attended one of the Indigenous cultural events in Toronto which helped me get familiar with the culture of the Natives of the land (all my former knowledge on the Indigenous culture came through either books or articles, most which were written by non-indigenous writers or researchers, which Indigenous critics like Lee Maracle call ‘appropriated information’). I attended The Spirit Pow Wow that was a closing ceremony of the Master Indigenous Games on July 15, 2018 at Downsview Park, Toronto. The event started at noon and dances from different Indigenous communities were performed. Each dance pro...

Ecological-Political Landscape of “Tintern Abbey”

Ecological-Political Landscape of “Tintern Abbey”             Prima facie , Wordsworth’s “Tintern Abbey” exposes the Romantic sublimity through the description of nature’s serenity, idealistic view and its vastness. But the oblique presence of ecological and political landscape: the seamy side of the then English society, ecological destruction caused by industrialism and the plight of the working class, subverts that sublimity. In elaborating this claim, I will be analyzing the existing discourse on the ‘presence and absence’ of historical and ecological concern in the poem, especially among the romantic new historicists in the likes of Jerome McGann, Marjorie Levinson and William Richey, and the romantic eco-critics like James C. McKusick and Kevin Hutchings “Tintern Abbey”, for most of more than two hundred years since its first publication in the first edition of Lyrical Ballads (1798), remained a largely uncontested masterpiece until late in...